Role
Adjunct Professor
Education
Laurea Triennale in Lettere Classiche, Universit di Bologna
Laurea Specialistica in Archeologia e Culture del Mondo Antico, Universit di Bologna
Ph.D. in Art History, University of Southern California

Biography

Dr. Ambra Spinelli is a classical archaeologist and art historian who received a B.A. in Classics and a M.A. in Archaeology from the Universit di Bologna, and a Ph.D. in Art History (with a specialization in Classical Art & Archaeology) from the University of Southern California. Her泭scholarship integrates the analysis of artifacts, architecture, decorative and textual evidence to explore ancient Roman domestic and everyday life. Her interests also encompass the influence of Eastern and Italic rituals on Roman soil, and Roman perceptions and adaptations of earlier traditions. At 91勛圖, she teaches courses in Roman art and archaeology as well as Greek and Roman history and religion.

Professor Spinelli participated in various archaeological excavation projects in Italy and, from 2011 to 2020, she served as Head of Archival Research and Assistant to the Director for the University of Cincinnatis Pompeii Archaeological Research Project: Porta Stabia. She also has several years of museum and archaeological research experience in Etruscan, Roman, and medieval sites, including Marzabotto, Bologna, Pompeii, Herculaneum, Naples, Rome, Acquaviva Picena, and Albinia (Grosseto).

Selected Publications (Peer-Reviewed):

Books:泭

  • Current Book Project (under contract with De Gruyter):泭Why Objects Matter: Studies in Greek and Roman Art & Materiality from Antiquity to the Present. Co-author.泭
  • Artistry in Bronze: The Greeks and Their Legacy. XIXth International Congress on Ancient Bronzes泭(2017).泭The J. Paul Getty Museum.泭Co-author.泭

Articles and Book Chapters:

  • Spectacle and Society. Theater and Paintings in Vesuvian Tablina, in泭Why Objects Matter:泭Studies in Greekand Roman Art & Materiality from Antiquity to the Present.泭(Current book泭project under contract泭with De泭Gruyter).泭泭
  • The History of Excavation and Research Activity in Insulae VIII.7 and I.1, in泭The Porta泭Stabia泭Neighborhood atPompeii. Vol. 1:泭Structure, Stratigraphy, and Space泭(2023).泭Oxford University泭Press, 42-59.泭Co-author.泭
  • The Ritual Contexts in Insulae VIII.7 and I.1, in泭The Porta Stabia Neighborhood at Pompeii. Vol.泭1:泭Structure, Stratigraphy, and Space泭(2023).泭Oxford University Press, 429-434. Co-author.泭
  • Beyond Social and Functional Interpretations of Wall Paintings: Mythological Imagery in the Tablinum of Pompeii and Herculaneum.泭Journal of Roman Archaeology, Vol. 35.1 (Jul. 2022), 177193.泭
  • The Getty Cybele: A Roman Portrait of Feminine Virtues.泭American Journal of Archaeology, Vol. 121.3 (Jul. 2017), 369396.泭
  • Underwater Archaeology in Italy: The Park of Baia (Naples), in泭SOMA 2007: Proceedings of the XI Symposium on Mediterranean Archaeology, Istanbul Technical University (2007). Oxford Archaeopress, 358361.泭

Book Reviews:泭

  • Excavating the Archives: The Domus M. Lucretii IX 3, 5.24 at Pompeii. Review of R. Berg and I. Kuivalainen (eds.),泭Domus Pompeiana M. Lucretii IX 3, 5.24. The Inscriptions, Works of Art and Finds from the Old and New Excavations泭(2019), in泭Journal of Roman Archaeology,泭Vol. 34.2 (Dec. 2021),泭883888.泭

Catalogue Essays and Entries:泭

  • Spinario Castellani and Hermes from Saponara, in泭Power and Pathos: Bronze Sculpture of the Hellenistic World泭(2015). The J. Paul Getty Museum, 216, 306; and in the Italian catalogue泭Potere e Pathos. Bronzi del Mondo Ellenistico泭(2015). Giunti Editore, 216, 306.泭
  • Comic Figurine of a Slave Seated on an Altar and Red-Figured Bell泭Krater泭with泭Phlyax泭Scene, in泭The Art of Ancient Greek Theater泭(2010). The J. Paul Getty Museum, 119, 142.泭